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                  <text>1890s</text>
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                  <text>Sources and resources pertaining to the 1890s and literary works concerning this period.</text>
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                <text>Space between two typical 1890's buildings</text>
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                <text>The image I selected is of two apartment buildings right next to each other. The windows in this apartment building are tall and skinny, which does not let in a lot of light already and even more so since the window faces a wall. In Bartleby the scrivener, Bartleby's work space had a window similar to the one present in this picture. His window looked at a brick wall which in the story can be used to represent the idea of Bartleby seeming like he can have a future (the view), but it is cut short by the wall. This could also be interpreted as foreshadowing his death at the end of the story.</text>
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                <text>David Bogle with Pierre-Olivier Milanini</text>
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                <text>Space between two typical 1890's buildings. Digital image. Http://syncrostudio.com/category/type/homes/. SYNCRO, n.d. Web. 22 Oct. 2015.&lt;http://syncrostudio.com/category/type/homes/&gt;.</text>
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                <text>SYNCRO</text>
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                <text>October 22, 2015</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Brandon Desintonio</text>
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                <text>1890's</text>
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                  <text>1890s</text>
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                  <text>Sources and resources pertaining to the 1890s and literary works concerning this period.</text>
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      <name>Website</name>
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                <text>Historic New York Transportation</text>
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                <text>A brief yet informative web page on the history of public transportation in New York City. The transportation services covered range from omnibuses (present in many stories about the period including Henry James' Washington Square, and Steven Millhauser's Martin Dressler) to subways. The website contains drawn profile views of the different types of transportation allowing the reader to better understand just what certain sources of transportation, such as omnibuses, were. </text>
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                <text>New York Transit Museum – Teacher Resource Center – History of Public Transportation in New York City. New York Transit Museum, 2015. Web. 21 Oct. 2015. </text>
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                <text>http://www.transitmuseumeducation.org/trc/background</text>
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                <text>21 Oct. 2015</text>
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                <text>Dalton Spatz</text>
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                <text>1850s, 1890s</text>
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        <name>elevated train</name>
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        <name>omnibus</name>
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                  <text>1890s</text>
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                  <text>Sources and resources pertaining to the 1890s and literary works concerning this period.</text>
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      <name>Still Image</name>
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                <text>Yard of Tenement, New York</text>
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                <text>The image chosen is titled Yard of tenement, New York, N.Y. between 1900 and 1910, and depicts a view from an apartment building in New York City overlooking other apartment buildings and clothes lines covered with clothing. In the background of the photo, you are able to see the distant, hazy skyscrapers. The buildings look to be constructed out of brick and situated very close together, which is the norm in New York City. This image relates to Mrs. Manstey’s View during that specific time period and what she saw. The image helps to envision what views of New York City people had, and shows how space was a luxury.</text>
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                <text>Maggie Blanck</text>
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                <text>Blanck, Maggie. “Yard of tenement, New York, N.Y. between 1900 and 1910”. Library of Congress. http://www.maggieblanck.com/NewYork/Life.html</text>
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                <text>http://www.maggieblanck.com/NewYork/Life.html</text>
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                <text>October 21, 2015</text>
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                <text>Emily Nader</text>
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                <text>1900-1910</text>
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                  <text>1890s</text>
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                  <text>Sources and resources pertaining to the 1890s and literary works concerning this period.</text>
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      <name>Still Image</name>
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                <text>Waldorf Astoria, New York, Roof Garden </text>
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                <text>The "Waldorf Astoria, New York, Roof Garden" photomechanical print illustrates a unique feature of a luxury hotel in Manhattan in the early 1900s. The Waldorf Astoria was one of the first hotels to offer complete electricity, private bathrooms and room service when it opened in 1893, and remains as one of the most glamorous hotels in America. It originally stood where the Empire State building is now, but when it moved in 1928, it became the largest hotel in the world. The Waldorf is known for its' lavish restaurants, ballroom galas and celebrity residents. Similar to Martin's Hotels in "Martin Dressler", the Waldorf had the most floors, the newest technology and service options and went beyond what previous hotels offered. It incorporated entertainment and beautiful gardens to allow its' rich residents to fulfill many of their needs right in the hotel. The picture of the rooftop garden at the Waldorf was taken in 1908, but it captures how Martin was so ahead of his time. Many of his hotels feautured subterranean floors and indoor parks that forshadowed these rooftop gardens and the incorporation of natural aspects of the city right outside residnent's rooms.</text>
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                <text>Art and Picture Collection, The New York Public Library. "Waldorf Astoria, New York, roof garden." &lt;em&gt;The New York Public Library Digital Collections&lt;/em&gt;. 1908. http://digitalcollections.nypl.org/items/510d47e2-8cb9-a3d9-e040-e00a18064a99&lt;br /&gt;&lt;br /&gt;"The Waldorf - Astoria Hotel." &lt;em&gt;Historic Hotels of America&lt;/em&gt;. Historical Hotels of America, Web. 21 Oct. 2015. &amp;lt;http://www.historichotels.org/hotels-resorts/the-waldorf-astoria-hotel/history.php&amp;gt;.</text>
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                <text>The New York Public Library http://digitalcollections.nypl.org/items/510d47e2-8cb9-a3d9-e040-e00a18064a99</text>
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                <text>October 21, 2015</text>
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                <text>Theresa Patti</text>
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                <text>1908</text>
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        <name>architecture</name>
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                  <text>1890s</text>
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                  <text>Sources and resources pertaining to the 1890s and literary works concerning this period.</text>
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                <text>Manhattan: 5th Avenue - 66th Street</text>
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                <text>This photograph portrays the style of housing in New York City in the late 19th century. The apartment buildings are narrow and tall, each reaching three or four stories high. The apartments are built of stone and brick and consist of drab colors. This image, picturing the connected row of apartment buildings along Fifth Avenue, demonstrates the rapid growth and expansion of buildings in New York City throughout the 1890s.</text>
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                <text>The New York Public Library Digital Collections</text>
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                <text>Irma and Paul Milstein Division of United States History, Local History and Genealogy, The New York Public Library. "Manhattan: 5th Avenue - 66th Street" The New York Public Library Digital Collections. http://digitalcollections.nypl.org/items/510d47dc-e7dd-a3d9-e040-e00a18064a99</text>
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                <text>October 21, 2015</text>
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                <text>Shannon Ferrara</text>
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                <text>This news illustration by Frederic Remington (artist who became known for his depictions of cowboys and horses in the American West) was published in William Randolph Hearst's newspaper, the &lt;em&gt;New York Journal,&lt;/em&gt; in 1898, during the Spanish-American War (the exact date was not given on the Wikimedia Commons site).</text>
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                <text>Uploaded to Wikimedia Commons by Charlie Fong.  https://commons.wikimedia.org/wiki/File:Spaniards_search_women_1898.jpg</text>
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                <text>Accessed Oct. 20, 2015</text>
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                <text>The front page of the "6 o'clock extra" evening edition of the &lt;em&gt;World &lt;/em&gt;shows a range of news, with the more scandalous, sensational news in the bottom half of the page ("below the fold"). News items include beatings, domestic disputes, trials, and other items that are only newsworthy for their titillating or sensational value-- exactly what Mrs. Quentin deplores in the fictional newspaper &lt;em&gt;The Radiator. &lt;/em&gt;"The paper, to sell well, had to be made more and more detestable and disgraceful" (155) she tells Hope Fenno. Much of the "news" printed here is only meant to elicit disgust and bring disgrace on the people featured.</text>
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                <text>New York &lt;em&gt;Evening World, &lt;/em&gt;Feb. 22, 1894, front page. &lt;em&gt;Chronicling America. &lt;/em&gt;Web. Accessed Oct. 20, 2015. http://chroniclingamerica.loc.gov/lccn/sn83030193/1894-02-22/ed-4/seq-1/</text>
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