1 20 25 http://www.loyolanotredamelib.org/en203/files/original/3d0553be754652c4b19b1981fafa0751.jpg cad9ed17fb82f6b3dcf5ed5ed99b5e55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meet the Mamma: A Musical Play in Three Acts Description An account of the resource This is the cover to an experimental musical that Zora Neale Hurston wrote in 1925, early in her career. It was interesting to see another play written to by Hurston. Unlike Hurston's play in Fire!!, this musical takes place in New York City. To see what this play looked like would have also been interesting. Hurston was obviously inspired by her time in New York City. I would imagine that the music in the musical would jazz inspired and probably would have included some of the famous jazz musicians from the Harlem Renaissance. Source A related resource from which the described resource is derived Hurston, Zora Neale. "Meet the Mamma: A Musical Play in Three Acts." 1925. Library of Congress. Web. 15 Dec. 2015. <https://www.loc.gov/resource/mhurston.0201/?st=gallery>. Publisher An entity responsible for making the resource available https://www.loc.gov/resource/mhurston.0201/?st=gallery Date A point or period of time associated with an event in the lifecycle of the resource 1920s Contributor An entity responsible for making contributions to the resource Gabriella Green Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Harlem Renaissance Writers 1920s Harlem Renaissance http://www.loyolanotredamelib.org/en203/files/original/7f1ee2c6e0d8c372b852bcb58c4ba775.jpg c3706e9eb55719eb22643dc3ecbe722f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Panel No. 1, The Migration Series Subject The topic of the resource The Great Migration Description An account of the resource The illustration depicts the many African Americans that were fleeing the south for better opportunity in the North. In the painting you see 3 major cities: New York, Chicago, and St. Louis. These as well as cities like Detroit and LA experience a similar immigration from the south. Creator An entity primarily responsible for making the resource Jacob Lawrence Source A related resource from which the described resource is derived http://www.phillipscollection.org/sites/default/files/styles/lightbox_image/public/media/TPC_Panel1_900_0.jpg?itok=7ipOC-AH Publisher An entity responsible for making the resource available The Philips Collection Date A point or period of time associated with an event in the lifecycle of the resource 12/15/15 Contributor An entity responsible for making contributions to the resource Alexander Vidal http://www.loyolanotredamelib.org/en203/files/original/4da5308875c297a58dcfed2335f14c3f.jpg 0b31e2a85c499bdfc53eb1285a737159 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zora Neale Hurston in Eatonville, Florida Description An account of the resource Depicted here is a picture of Zora Neale Hurston in her hometown of Eatonville, Florida. Many of her short stories and novels were said to be based off of Eatonville. Eatonville is a majority African American community, supplying Hurston a plethora of information and diversity in characters to work with. The story "Sweat" in Fire!! is a story that is based in the south and Eatonville probably had some influence on the characters in "Sweat" Source A related resource from which the described resource is derived Lomax, Alan. Zora Neale Hurston. 1935. New York Times. Web. 15 Dec. 2015. <http://www.nytimes.com/ 2008/09/29/us/29florida.html?_r=0>. Publisher An entity responsible for making the resource available http://www.nytimes.com/2008/09/29/us/29florida.html?_r=0 Date A point or period of time associated with an event in the lifecycle of the resource 1920s Contributor An entity responsible for making contributions to the resource Gabriella Green 1920s Harlem Renaissance http://www.loyolanotredamelib.org/en203/files/original/93e1f3505b312d9dd67d2919d98a75da.pdf ffb8b4de680d5ba801f6409d4ccef44b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zora Neale Hurston's Analysis on Ebonics Description An account of the resource This is a short sample of Zora Neale Hurston's analysis and research on African American, language and culture. Much of the analysis that she made was based off of her research on African American folklore and travelling the south. In the this particular sample, Hurston gives examples of how metaphors and verbs in Ebonics. Later in this section, Hurston gives the important aspects of folklore like God and the Devil. These analysis can be applied to Hurston's short story in Fire!! where uses many of the examples she provided in her research. Source A related resource from which the described resource is derived Hurston, Zora Neale. "Background to Story: Characteristics of Negro Expression." "Sweat." Ed. Thomas L. Erskine and Connie L. Richards. New Brunswick: Rutgers University Press, 1997. 55-72. Print. Date A point or period of time associated with an event in the lifecycle of the resource 1920s Contributor An entity responsible for making contributions to the resource Gabriella Green http://www.loyolanotredamelib.org/en203/files/original/341b154cac42bdaedcb9d8d2c5068626.jpg 8621d3b9b0b543bca0eb096b37bea689 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The New Negro Subject The topic of the resource The Harlem Renaissance Description An account of the resource Harlem Renaissance what was painted by a man named Aaron Douglas. The name of the piece was created for the book The New Negro by Alain Locke. The art work is meant to depict different parts of Afro-American history. You see on the left people picking cotton in a field and as the painting moves right, it changes to what seem to be the Harlem Renaissance, which is characterized by the sillottes of jazz players and dancing people. The New Negro as we learned was a way of describing the new culture that was rising, one that did not stand for the Jim Crow laws of the south or of segregation. Creator An entity primarily responsible for making the resource Aaron Douglas Source A related resource from which the described resource is derived "Treasures of The New York Public Library." Treasures of The New York Public Library. Web. 15 Dec. 2015. Publisher An entity responsible for making the resource available New York Library Date A point or period of time associated with an event in the lifecycle of the resource Alexander Vidal Contributor An entity responsible for making contributions to the resource Alexander Vidal http://www.loyolanotredamelib.org/en203/files/original/84c0eab7058323ed8072c5a3fa540502.png a8404194785d92622861ccfbb06c5721 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New York's Lower East Side Subject The topic of the resource Living Conditions for Jewish Immigrants Description An account of the resource This painting by Albert Potter appeared very informative to me as it so vividly depicts New York's Lower East Side. During the beginning of twentieth century, the Lower East Side was essentially the main area where a large amount of Jewish immigrants lived. The painting displays these people crowded heavily with various signs of community and patronage. As the streets remain busy and congested, the Lower East Side was able to provide a popular mean of pushcart trading and other retail occupations. Some of these include the incorporation of restaurants, kosher butcher shops and bakeries, which all seem fitting for the preference of Jewish immigrants. Potter was another Jewish immigrant that travelled from Russia in order to seek a better life through his works of art. I felt that this depiction of an immigrant living environment was able to capture quite a few different messages about the life of a Jewish American citizen. I saw that a place such as this provided a strong sense of community that allowed those of the Jewish culture to continuously relish and immerse themselves in their own culture. Not only this, but the fact that most were attempting to adapt further into living at somewhat of an American lifestyle. So having a constant reminder of the past life and culture they lived through only further benefitted the immigrants to remain intact with pieces of their old lives in a place where so many different cultures are mixed amongst each other. Yet even though these Jewish immigrants were Americanized, they were able to still hold on to a small piece of home to themselves in the process. This type of community could of proved useful to Abraham Cahan's fictional character Yekl, as he could of used this type of environment to his advantage of keeping his priorities for his life and family's future in the right place instead of the opposite route that he had followed. Creator An entity primarily responsible for making the resource Albert Potter Source A related resource from which the described resource is derived Albert Potter (1903-1937) Eastside New York, between 1931 and 1935. Woodcut print. Ben and Beatrice Goldstein Foundation Collection, Prints and Photographs Division, Library of Congress (67) http://www.loc.gov/exhibits/haventohome/haven-century.html#obj13 Publisher An entity responsible for making the resource available Ben and Beatrice Goldstein Foundation Collection, Library of Congress Date A point or period of time associated with an event in the lifecycle of the resource 1931-1935 Contributor An entity responsible for making contributions to the resource Evan Orfanos Commerce Community Jewish Immigrants Lower East Side New York Patronage http://www.loyolanotredamelib.org/en203/files/original/3c6888300882348910cdf6f7e8c0a17e.gif ae79fd774622921396333f8f7c61065c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crisis Magazine Cover Description An account of the resource This is a cover of the Crisis magazine designed by Aaron Douglas, a famous artist during the Harlem Renaissance. The cover is very similar to his other work that is featured in Fire!!. Many geometric shapes are used to vaguely represent human arms. He also uses a minimal palette, just three shades of blue. What this magazine cover represents is the modernist approach that many artist took during the Harlem Renaissance and the 1920s. Like the rest of the artist in the modernist movement, African Americans strived to remove themselves from the traditional frame of thought of what it meant to be African American and create a new identity. Creator An entity primarily responsible for making the resource Aaron Douglas Source A related resource from which the described resource is derived Douglas, Aaron. The Crisis Magazine Cover. 1927. The Professional Association of Design. Web. 14 Dec. 2015. <http://www.aiga.org/design-journeys-aaron-douglas/>. Publisher An entity responsible for making the resource available http://www.aiga.org/design-journeys-aaron-douglas/ Date A point or period of time associated with an event in the lifecycle of the resource 1927 Contributor An entity responsible for making contributions to the resource Gabriella Green http://www.loyolanotredamelib.org/en203/files/original/4d383bd6b7677dd4ab0c1561c719c42b.jpg 55f06abee64b3ee35fd20aa2b5c5503a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Charlotte Mason Osgood Description An account of the resource This a photo of Charlotte Mason Osgood, the patron of African American Arts during the Harlem Renaissance. Ms.Osgood supported many famous Harlem Renaissance writers and artists like Langston Hughes and Zora Neale Hurston. Langston Hughes mentions how difficult this relationship was and the controlling nature of the relationship. This relationship may have been inspiration for Hughes short story "Slave on the Block" where the artistic white couple take liberties to what they think African Americans should be depicted as. Both Hughes relationship with Osgood and the couples relationship with the workers have the underlying theme of well-meaning interest in African American culture and art that only offends. Creator An entity primarily responsible for making the resource Yale University Publisher An entity responsible for making the resource available http://brbl-archive.library.yale.edu/exhibitions/awia/gallery/mason.html Date A point or period of time associated with an event in the lifecycle of the resource 1920 Contributor An entity responsible for making contributions to the resource Gabriella Green Source A related resource from which the described resource is derived "Charlotte Mason Osgood." Intimate Arts: American Women in the Arts. N.p., n.d. Web. 14 Dec. 2015. <http://brbl-archive.library.yale.edu/exhibitions/awia/gallery/mason.html>. http://www.loyolanotredamelib.org/en203/files/original/ff27d4098e5f13dae4549ebbcde331d5.jpg 0bd9bb775596e9cefad39369d61615db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wedding Party of Four Description An account of the resource This photo depicts two young black couples dressed on what can be assumed their wedding day. James Van Der Zee, the photographer of this photo, was well known during the Harlem Renaissance. He documented the portraits of the African Americans that lived in Harlem. The women in this photo are wearing flapper dresses as their wedding dresses a nod to the change of morals and values during the 1920s. Additionally this shows the rise to the middle class that some African Americans in Harlem were fortunate to have. Creator An entity primarily responsible for making the resource James Van Der Zee Source A related resource from which the described resource is derived Van Der Zee, James. Wedding Party of Four. 1927. Art Institute Chicago. Web. 14 Dec. 2015. <http://www.artic.edu/aic/collections/artwork/184030?search_no=5&index=2>. Publisher An entity responsible for making the resource available http://www.artic.edu/aic/collections/artwork/184030?search_no=5&index=2 Date A point or period of time associated with an event in the lifecycle of the resource 1927 Contributor An entity responsible for making contributions to the resource Gabriella Green 1920s Harlem Renaissance http://www.loyolanotredamelib.org/en203/files/original/7c59be655f5d1fd6fba299f5b8f2ac59.jpeg 22686e262a82d60bad674743895aaa37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource PanelNo. 31 Subject The topic of the resource The Harlem Renassiance Description An account of the resource It is a mixture of the harsh broad colors of the street and environment met with much brighter and happier colors that were found in the shops and homes of those living in Harlem. Creator An entity primarily responsible for making the resource Jacob Lawerence Source A related resource from which the described resource is derived "The Migration Series, Panel No. 31: The Migrants Found Improved Housing When They Arrived North." 1000Museums.com. Web. 15 Dec. 2015. Date A point or period of time associated with an event in the lifecycle of the resource December 15,2015 Contributor An entity responsible for making contributions to the resource Alexander Vidal Identifier An unambiguous reference to the resource within a given context Harlem Renassance http://www.loyolanotredamelib.org/en203/files/original/cb808f91302ca726ea392a6abc57bb2f.jpg edeca76e6ec2a50fba820c727320eca2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cotton Club Orchestra Description An account of the resource The photo featured here is the orchestra that played at the infamous Cotton Club in Harlem. As Langston Hughes mentioned in his reflective piece about Harlem Renaissance, the Cotton Club was a club exclusively for white patrons in the middle of majority black Harlem. Additionally, all of the staff and performers that worked at the Cotton Club were black. According to blackpast.org, the club was ran by a white mobster who wanted the club to have a plantation. There were also restrictions for the performers: "at least 5’6” tall, light skinned with only a slight tan, and under twenty-one years of age." (http://www.blackpast.org/aah/cotton-club-harlem-1923#sthash.ZZGNb99O.dpuf) Overall this article and this photo featuring an all black orchestra showed the both the progression and regression made by African Americans during the 1920s that Hughes speaks of in his reflection. On one hand, African Americans were being recognized for their artistic abilities and were able to gain jobs outside of manual labor. But on the other hand harmful sterotypes about African Americans were displayed holding back the African American community from being accepted into white American society. Creator An entity primarily responsible for making the resource Public Domain Source A related resource from which the described resource is derived Cotton Club Orchestra, Harlem, 1925. N.d. Black Past. Web. 14 Dec. 2015. <http://www.blackpast.org/aah/cotton-club-harlem-1923>. Publisher An entity responsible for making the resource available Black Past Date A point or period of time associated with an event in the lifecycle of the resource 1925 Contributor An entity responsible for making contributions to the resource Gabriella Green 1920s Cotton Club Harlem Renaissance http://www.loyolanotredamelib.org/en203/files/original/2b3ca4803b7498c314de62dc945a1ed8.jpg a27c3b8b55b46d2339e260bf98ddfe42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data The item is a photograph taken by an unknown photographer. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Club Alabam Subject The topic of the resource The Harlem Renaissance Description An account of the resource The picture shows a integrated night club during a time where this was very unpopular to do. It was mentioned in the poem "Little Cinderella" which is what drew my interest to it. You can see that it is a very lively place where both Black and White People get along. Source A related resource from which the described resource is derived "Nightlife and Restaurants in West Adams and Nearby Communities." Nightlife and Restaurants in West Adams and Nearby Communities. Web. 15 Dec. 2015. Date A point or period of time associated with an event in the lifecycle of the resource December 15th, 2015 Contributor An entity responsible for making contributions to the resource Alexander Vidakl Identifier An unambiguous reference to the resource within a given context Harlem Renaissance http://www.loyolanotredamelib.org/en203/files/original/5c01bb94f38f05c1a7f3785a965f9a21.jpg 8b5247a3720998b8e15e0887c6be28dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Painting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Song of the Tower Subject The topic of the resource THE HARLEM RENASSIANCE Description An account of the resource It shows a Jazz player at the center of a very chaotic and apocalyptic setting. The reason it caught my eye is because it shows what is a seemly positive and powerful image in the middle of a dark place which can be correlated to its influence from the Harlem Renaissance Creator An entity primarily responsible for making the resource by Aaron Douglas Source A related resource from which the described resource is derived "Treasures of The New York Public Library." Treasures of The New York Public Library. Web. 15 Dec. 2015. Publisher An entity responsible for making the resource available New York Public Library Date A point or period of time associated with an event in the lifecycle of the resource December 15th, 2015 Contributor An entity responsible for making contributions to the resource Alexander Vidal Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Harlem Renaissance and The Great Migration http://www.loyolanotredamelib.org/en203/files/original/e9b6a25617e4b8bc3d49ce5aa2faede3.jpg 6f40b803b6fda7f11a0bd71a59d9a20a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laws for Granting Citizenship to Women Subject The topic of the resource American Citizenship for Immigrant Women Description An account of the resource "Vos Yede Froy Darf Visen Vegen Birgershaft", which directly translates to "What Every Woman Should Know about Citizenship." The book is written in both Yiddish and English. This information booklet was made in 1926 by the National Council of Jewish Women, who issued it as a citizenship guide for immigrant women. The Council focused on the purpose of the booklet to serve as an aid for Jewish women who were unmarried to learn how to speak English, secure their American citizenship and find a place of employment. This group was founded in the year 1893, with the intentions of spreading Judaism among its other members and the United States by means of social reform, especially in New York of all places. They also wanted to give immigrant women opportunities for a better education and to properly explain any laws allowing them to gain their citizenship in the United States, depending on whether they were married or not. I saw that this booklet could of very well been something that would be in the possession of the fictional, yet realistic character Gitl from "Yekl: A Tale of a New York Ghetto." Being a woman freshly introduced to an entirely new country with various social norms and ways of life that were completely different than their own, this aid could immensely helped a woman like Gitl into this society. Even with her being recently divorced from "Dzake," the booklet would of helped her as she transitioned to gaining her legal citizenship so she could seek proper employment to take care of her son Yosele. Creator An entity primarily responsible for making the resource Cecilia Razovsky Source A related resource from which the described resource is derived Cecilia Razovsky (1891-1968). Vos Yede Froy Darf Visen Vegen Birgershaft, What Every Woman Should Know about Citizenship. New York: Department of Immigrant Aid, National Council of Jewish Women, 1926. Hebraic Section, Library of Congress (86) http://www.loc.gov/exhibits/haventohome/haven-century.html#obj20 Publisher An entity responsible for making the resource available National Council of Jewish Women Date A point or period of time associated with an event in the lifecycle of the resource 1926 Contributor An entity responsible for making contributions to the resource Evan Orfanos American Citizenship Education Employment Jewish Immigrants Womens' Rights http://www.loyolanotredamelib.org/en203/files/original/e9b6fedac199faa0837987174ea72c9c.jpg 4154ce37bb0df13fc558687e613ef954 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Labor Strike in 1920's Description An account of the resource This image demonstrates a labor strike. The workers are upset with their low wages and poor working conditions. This image was taken during the Great Depression but it is described in the article that minority workers found little difference between times during the Great Depression and the 1920’s, when the economy was “normal”. This was due to racial discrimination. African Americans would often be the first to lose their job just because of their skin color. African Americans were also subjected to jobs that were meaningless, tedious, and sometimes of intense labor. The wages that they received for the work they did was also minimal and very difficult to live off of. Langston Hughes shows the tedious and thoughtless labor that African Americans were subjected to in his poem "Elevator Boy". Creator An entity primarily responsible for making the resource Gale Source A related resource from which the described resource is derived "Minority Groups and the Great Depression." Great Depression and the New Deal Reference Library. Ed. Allison McNeill, Richard C. Hanes, and Sharon M. Hanes. Vol. 1: Almanac. Detroit: UXL, 2003. 172-186. U.S. History in Context. Web. 14 Dec. 2015. Publisher An entity responsible for making the resource available http://ic.galegroup.com/ic/uhic/ReferenceDetailsPage/DocumentToolsPortletWindow?displayGroupName=Reference&p=UHIC%3AWHIC&action=2&catId=&documentId=GALE%7CCX3425600021&source=Bookmark&u=oldt1017&jsid=d7f0eb9a9ce8607bd96dc799dea9b5bf Date A point or period of time associated with an event in the lifecycle of the resource December 14, 2015 Contributor An entity responsible for making contributions to the resource Laura Watters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1920 1920s Hughes Labor http://www.loyolanotredamelib.org/en203/files/original/b89f0e0d7d316f00151666b9d88b5d3d.jpg 0d7e0d7d8b4a8d4768697c4201619695 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Broadway Contrasts. George Beban and Holbrook Blinn. Description An account of the resource Below is a image that is titled "Broadway Contrasts. George Beban and Holbrook Blinn." and it features two men back-to-back who were famous actors at the time. The man on the right is Holbrook Blinn who looks more business dressed with a rounded hat and a suit, while George Beban is creepier looking man wearing a trench coat with a pointier hat. After researching these men, I discovered both of them were from San Francisco and both became Broadway actors, and they both died from horse accidents but this image depicts them in two very different ways. I had three different interpretations of this image, but was not sure which one seemed most accurate. The first being, I think this can reflect the reaction to the influx on immigrants during the Gilded Age. There were so many immigrants coming into the city jobs were becoming more competitive as there were many cultures to choose from whites males had to work harder to maintain a respected job. The second interpretation I had for this illustration, was the two different types of men of Broadway and it made me think of Crane's novel "Maggie: A Girl of the Streets." I feel like the man on the right (Holbrook Blinn) is what Pete would look like, and this would be a man that looked and was wealthy, but would get caught up in prostitution. On the other hand, George Beban looks more like the men described towards the end of the novel, who were creepily questioning Maggie. This leads to the third interpretation, which is also describing the differences in men. Even though both the men at the time were successfully involved with Broadway, there were differences between their careers. Holbrook Blinn (man on the right) looks more like a man that would flaunt his successes and wealth for all those to see because he had no trouble growing up a stage child. On the other hand, George Beban, would have been a man that had much success, but disregarded the need to flaunt. The way he is looking at Blinn it looks like men similar to Beban could have been annoyed with those who obnoxiously displayed for wealth. This whole third interpretation also pertaining to Crane's book as it could be a contrast between Jimmie and Pete. Also Beban faced a lot of trouble with his father accepting is stage career, therefore he had to work for it more. Overall, I think this illustration could have many interpretations and that is why they left it so broad. Creator An entity primarily responsible for making the resource Unknown. Robinson Locke (Collector) Source A related resource from which the described resource is derived Billy Rose Theatre Division, The New York Public Library. "Broadway contrasts. George Beban and Holbrook Blinn." The New York Public Library Digital Collections. 1870 - 1920. http://digitalcollections.nypl.org/items/9908ddcb-18da-443e-e040-e00a180668a6 Publisher An entity responsible for making the resource available The New York Public Library Digital Collections Date A point or period of time associated with an event in the lifecycle of the resource December 14, 2015 Contributor An entity responsible for making contributions to the resource Taylor Caldwell Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1870 - 1920 1870s 1920s Broadway Gilded Age Men http://www.loyolanotredamelib.org/en203/files/original/a4fa13daa2711e3afbb44c2df3af94bf.mp3 dc0050cdfc158665139c989ffcf13dec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Sound A resource primarily intended to be heard. Examples include a music playback file format, an audio compact disc, and recorded speech or sounds. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dream A Little Dream Of Me Description An account of the resource Louis Armstrong was an important figure in the development of jazz music. He influenced the jazz we know today as a pivotal trumpeter, singer and song writer. He was one of the first popular African-American entertainers. Starting with his trumpet playing, he soon branched out to singing. Along with his recognizable, raspy voice, he also helped popularize scat singing. Scat singing is a type of vocal improvisation in which the singer uses a variety of random melodies and vocables in place of instruments. In the early 1900s, Armstrong moved from Chicago to New York City. He performed at famous cabarets in Harlem, like the Cotton Club, as well as its rival, and was widely accepted by white society. His resonant, velvety tone influenced popular white singers of the era, like Bing Crosby. He sang positive, uplifting songs about love and life. His popular songs include, "What a Wonderful World," "Stardust," and "When The Saints Go Marching In." The link provided is an mp3 YouTube video of Louis Armstrong's "Dream a Little Dream of Me." The song highlights his influential trumpet playing and notable vocals. The lyrics also exemplify the romantic nature of his songs. Creator An entity primarily responsible for making the resource Louis Armstrong Source A related resource from which the described resource is derived "Dream a Little Dream by Louis Armstrong." YouTube. YouTube, n.d. Web. 06 Dec. 2015. Date A point or period of time associated with an event in the lifecycle of the resource 1900s Contributor An entity responsible for making contributions to the resource Jessa Laspesa Format The file format, physical medium, or dimensions of the resource mp3 1920s Harlem Renaissance jazz Louis Armstrong http://www.loyolanotredamelib.org/en203/files/original/ea4528c41fc35fb564100fe58fbd0732.jpg f3bdd408f6ebbb189cee1d9e76a3dceb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox Avenue Description An account of the resource This photo is an picture of Lenox Avenue in the 1920s. Lenox Ave seems to be a predominately African American area and also very busy and bustling. Lenox Ave is filled with identical buildings, all of which have the same height, same width, and same features. Some of the buildings though seem to be shops while others may be apartment buildings. Cordelia from “Cordelia the Crude” lived off of Lenox. I imagine her to be walking with the narrator through the busy street of Lenox to a side street, where her tenement building is. Wallace Thurman describes the tenement building in a very negative way and compares Lenox Avenue to Fifth Avenue. Creator An entity primarily responsible for making the resource Wordpress Source A related resource from which the described resource is derived Sarnak, Genna. "Where to Start." The Harlem Renaissance. Word Press, 8 Dec. 2012. Web. 3 Dec. 2015. Publisher An entity responsible for making the resource available <https://theharlemrenaissance.wordpress.com/2012/ 12/08/wheretostart/>. Date A point or period of time associated with an event in the lifecycle of the resource December 3, 2015 Contributor An entity responsible for making contributions to the resource Laura Watters Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1920 1920s Fire!! Harlem Renaissance Lenox Avenue http://www.loyolanotredamelib.org/en203/files/original/98f5c4d040edf5ecfb41c16d45f6a083.jpg c36abd864373f4a05cf0ebcc8bc2cd70 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Whites in the Cotton Club Description An account of the resource "So thousands of whites came to Harlem night after night, thinking the Negroes loved to have them there, and firmly believing that al Harlemites left their houses at sundown to sing and dance in cabarets, because most of the whites saw nothing but the cabarets, not the houses." (Hughes, 1635) I believe that this image directly correlates with this quote because it shows a table of white men who look to be staring in awe in all different directions at things surrounding them. It also appears that the black man in this picture is the server. I found this image to be very interesting because the Cotton Club used to be a place where African Americans would go to sing and dance during the Harlem Renaissance. The Cotton Club quickly changed from hosting African Americans to whites because the whites of the time "enjoyed watching the shows that the blacks put on as if they were animals at a zoo", stated Hughes. Creator An entity primarily responsible for making the resource Lara Elmayan Source A related resource from which the described resource is derived Elmayan, Lara. "Vintage Photos: Inside the Cotton Club, One of NYC’s Leading Jazz Venues of the 1920s and ’30s." Untapped Cities RSS. N.p., 04 Aug. 2013. Web. 01 Dec. 2015. <http://untappedcities.com/2013/08/04/vintage-photos-inside-the-cotton-club-one-of-nycs-leading-jazz-venues-of-the-1920s-and-30s/>. Contributor An entity responsible for making contributions to the resource Adam Monticollo Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1920s Cotton Club Harlem Renaissance Hughes jazz http://www.loyolanotredamelib.org/en203/files/original/92b93020eb3b24aad4b1a78755975db6.jpg 1645d57ab6656369b71b4d5284314d78 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1920s Subject The topic of the resource Sources and resources pertaining to the 1920s and literary works concerning this period. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lenox Avenue Clubs Description An account of the resource Lenox Avenue was the most popular street in Harlem during the Harlem Renaissance. Lenox Avenue served as a major hub for African American culture during the Harlem Renaissance. Here, clubs and restaurants sprung up that featured some of the most talented black musicians of the time. Jazz music flourished at each of the clubs on this street. The picture shows Lenox Avenue during the 1920s, with its bright lit signs attracting customers. Langston Hughes mentions Lenox Avenue in "When the Negro Was in Vogue." The famous, whites-only, Cotton Club was located on the street. Quickly, Lenox Avenue became the main attraction for whites in New York City during the Harlem Renaissance. People of all different races, from black to white to latino, would go to Lenox Avenue for the nightlife and food. Hughes says, "Nor did ordinary Negroes like the growing influx of whites toward Harlem after sundown, flooding the little cabarets and bars where formerly only colored people laughed and sang, and where now the strangers were given the best ringside tables to sit and stare at the Negro customers--like amusing animals in a zoo." Here, Hughes confirms how popular the street became. With Negroes suddenly subjected to segregation in their own neighborhoods, it was a matter of time until Lenox Avenue would come under fire. In the 1960s, Harlem and Lenox became the center of the civil rights movement in New York City. The street later took up another name, Malcolm X Boulevard, after Malcolm X, the late civil rights leader. Subject The topic of the resource Lenox Avenue Source A related resource from which the described resource is derived "An Amazing Photographic Tour Of New York In The 1920s." All That Is Interesting. N.p., 24 July 2012. Web. 29 Nov. 2015. Date A point or period of time associated with an event in the lifecycle of the resource 1920 Contributor An entity responsible for making contributions to the resource Jessa Laspesa Format The file format, physical medium, or dimensions of the resource Picture 1920s Cotton Club Harlem Renaissance Hughes, Langston Lenox Avenue